I clicked on a Kotaku article the day the Titanfall beta opened, looking for instructions on how to get in on it. I haven’t been following any of the Titanfall hype, except hearing it was about robots and people were generally excited. Skimming the article, I realized that it was an EA title, delivered through Origin. Immediately I was torn. People hate, EA, right? They had done something evil in the recent past, if I wasn’t misremembering . . . but what exactly was it? I honestly couldn’t remember. For a brief second, I thought about googling it or perusing their Wikipedia page but . . . beta sign up . . . giant robots . . . I clicked the link and downloaded Origin. If nothing else, I could get a terrible first-hand experience and raise my voice in a rallying cry to boycott EA yet again.
I loaded Titanfall and it. was. awesome. Seriously incredible. I got the PC beta so I could adjust the FOV to something that wouldn’t make me nauseated. The textures were lackluster, I’ll admit, but the gameplay was so fun. I didn’t play any game type other than Attrition (just kill the other team) but I didn’t even get my fill of playing that, let alone moving on to the other game play types.
Looking at all of the hype, I remember my initial reservation. I haven’t read another account of anyone trying to justify their previously declared hatred for EA with their love of Titanfall. EA reported 2 million unique visitors during the beta. I can’t knock anyone else for going back on their previous lines in the sand – I did it myself. And I don’t even think I have any less integrity for doing so, let alone anyone else (depending on how loudly you yelled about it, I guess . . . ). But isn’t it funny, was all I was thinking about this morning. Isn’t it funny how short our attention spans really are.
People lost their minds over the Origin hatred when it launched. A few level heads pointed out that most people hated Steam when it launched for its spotty service. However since Steam has become ubiquitous with PC gaming, people don’t think about it any longer. And no it looks like people are forgetting Origin and EA’s original evil to enjoy what could be the most exciting FPS in a long time (at least until Destiny launches). It makes me wonder how the tables might turn on EA as a company (especially in light of the Comcast/Time Warner debacle) in the time to come.
Thoughts? General musings? Again, I’m not indicting anyone – I would be indicting myself if I did so (and maybe I should) it’s just interesting the short attention span we all have when something as shiny as Titanfall shows up. Leave a comment, let me know your thoughts about EA, Origin, Titanfall, and whatever else you want.
Little bit of cross promotion here, but last week my co-hosts at Go For Rainbow interviewed Ian Snyder, creator of an indie game that’s quickly picking up press (and recently got put on Steam Greenlight) called The Floor Is Jelly. Unfortunately my schedule didn’t allow me to chat with Ian and the guys but I just finished listening to the episode and finally got a minute to sit down and play the game. I swiftly concluded I must write a blog post, because you all must play it (and vote for it on Steam Greenlight . . . just sayin’).
The protagonist is a small two-legged creature attempting to traverse each level to make it to a window (and after a certain number of stages, an elevator to go to a new environment). The floor isn’t exactly jelly however – it’s a non-Newtonian fluid (or at least behaves like one). Any of us who spent extensive time on a trampoline as kids have a slight advantage, because it operates much the same way; propel yourself higher with the momentum of the rippling ground.
The artwork is simple, warm, and beautiful. Rounded edges combined with a stellar soundtrack make the stress of continually dying in this challenging platformer seem to fly away on the digital wind blowing leaves across the background. The music is minimalist, but full-bodied – just my style. I haven’t gotten very far but each environment thus far in my quest has introduced a new gameplay mechanic (most recently, hitting a bullseye rotates the entire world to make what was previously a bouncy wall, turn to a bouncy floor). In short, it contains absolutely everything I love about the very best indie games have to offer.
If I had a wishlist, I suppose I’d add some story to it but I bet players across the world are coming up with their own backstory just fine on their own. When you have a game this full of character, it would be hard not to.
Right now you can pick up the game for $10 USD from thefloorisjelly.com, but you could wait and share the Steam Greenlight link if you’d prefer and pick it up in your Steam library because I’m sure in the very near future, this will be picked to make a Steam debut. I’ll tell you honestly – I forgot that I got a free copy of the game, went to the site after listening to the podcast and bought a copy, remembered I had a free copy already, played the free version (lamenting that I had just spent $10) but after playing three full stages (and itching to play more), am so pleased I supported Ian and his game, despite having a free copy. Pick up a copy, and leave a comment letting me know what you think of the game!
I started this draft ages ago – when the Oculus Rift was first becoming “a thing.” Now I’m revisiting and revising the entire post because I can truly back up my feelings with the OR team’s latest announcement.
On paper, I was incredibly jazzed for virtual reality – especially at the level of quality that the Oculus Rift was promising to deliver. The implications in a multitude of industries and fields for research and training were really exiting. Watching the early developer videos hitting YouTube of the roller coaster riders, and people getting executed via guillotine were mesmerizing. But when it game to gaming – I didn’t actually care that much.
And maybe that’s just because I hadn’t seen any actual game utilizing it. My previously mentioned nausea from narrow field of views might have also been playing a part in my lack of excitement. I just assumed that strapping the goggles on would make me ill.
On February 5th, the official Oculus Rift blog announced that EVE: Valkyrie will be the first co-publishing venture for the Oculus Rift and will be a launch title. All I saw from a news outlet that covered the news was the .gif I posted at the top of this article, and that alone made me wicked excited. For the first time since hearing about the Oculus Rift, I really want to buy it, and if a demo proves to induce illness because of a narrow POV, I will be truly disappointed.
Immersion, right? That’s always the name of the game. Space shooter don’t exactly get my blood boiling but if I can completely submerge myself in a world where there is nothing else pressing for my attention, then I’m at least intrigued, if not excited. Narrative and backstory combined with the hardware to block out all other distractions could really be the final destination for the best games of the next gen (since next gen is now current gen with the Xbone and PS4? I dunno, educate me in the comments).
Is virtual reality your thing? Are you even interested in trying the Oculus Rift, or are you ready to sign the dotted line for your own set of equipment? Let me know in the comments!
My people! Here’s a bit of news that might appeal to the general demographic we all belong to:
I started co-hosting a podcast with two (sometimes three) other gentlemen. They founded it and called it Go For Rainbow! and it is delightful! One of the hosts, creator of Pocket Tactics, suggested I like the Facebook fan page and a few days later the frontman posted a status from the page, asking for any female listeners who would be interested in co-hosting. I responded, and learned that this isn’t just some hodge-podge, fanboi mashup of opinions. These guys have a slick operation going! Sponsors, real celebrity guests (Ellen McLain [GLaDOS], Simon Parkin, Steve Gaynor, etc.). and a weekly schedule. Legit! Oh, and yeah, it all worked out and now I’m one of the regular hosts.
So. Subscribe on iTunes if you’d like. Like the fan page on Facebook if you want. Definitely listen every week because we get real guests and biz-ness. Just wanted to share all the links and let you know what I keep tweeting about! The most recent episode is particularly relevant to this group, I think, because we talked to Simon Parkin who is the games critic for The New Yorker, and he writes regularly for The Guardian, and multiple other gaming outlets.
If you have any suggestions, questions, whatever, leave me a comment and I’ll pass it along to the group!
I thought before I typed this up, I should check out the Wikipedia page, see if anything about the developer stood out to me that could be a better talking point than just writing up how much I did or didn’t like the game (because I know this game is ages old and me talking about it now is poor form). This is a quote from the Wikipedia entry for this game: “He [the developer] did not expect it to be a success, and that he was ‘half-expecting it to fail for being too stupid of a game.'”
Despite his concerns, this game is dirt cheap and a good time so you should definitely pick it up. Aside from that, I’m going to touch on, once again, how much I love indie games. You’re welcome.
You know why indie developers are great? Because they just wake up one morning (might have been years ago, before all of their incredibly dedicated, hard work, but all the same! it started one random morning) and decided, “This idea is awesome. I’m going to make it myself because it will be awesome. If no one else thinks it’s awesome, that’s too bad, but at least it was awesome to me.” I think I love this mindset (or that I’m particularly a sucker for it) because I’m so the opposite. I get defeated so easily (see: my track record on this blog . . . ) and never have confidence in my own creativity. Actually scratch that. I have a lot of confidence that some of my ideas are pure gold – I also just recognize the amount of effort they’d take to execute and I give up before I begin. So when one dude decides he’s going to make a game out in Microsoft XNA and assumes it’s going to be too stupid to even make him any money so he sells it for $1, and then it becomes an underground favorite – yeah. I love that guy, and all of his aspirations. Having said that, I never played his other game The Dishwasher: Dead Samurai, but all the same! He’s a boss. Cheers to you, Mr. James Silva. Live your dreams, and long live the dreams of all indie developers everywhere.
Speaking of indie developers! My friend made this game called Cyber Heist for his senior thesis/project in a video games development-centric Master’s program and that is awesome that he is in it, and it exists. The game is getting crazy hype and he is getting crazy hype and I couldn’t be more over the moon for him and his cohorts working on the game. Although the premise is tongue in cheek (hackers trying to get into the system to erase all of their student debt), the idea of the second player and first player having complete different gameplay experiences is . . . fairly novel. I can’t think of another game that does that besides Wii U games (people with the Wii U controller in New Super Mario Bros Wii U for example, place jumping blocks anywhere on the screen, and don’t control a character). Comment! Correct me with examples, because I’m sure I’m wrong.
Speaking more about indie games! Tripleslash, the team that made Magnetic By Nature (which I am in love with), is releasing a full version of the game in the next few months. Details seem a little sparse on any official outlet, but it looks like the fully-funded Kickstarter plans on delivering a newly polished, full version in Q3 of 2014 on PC, Linux, and Mac OS. I’m also pretty sure the “Ultimate” version on the official website is for the new, upcoming release, even though the demo video still shows the gameplay of the $1 title on the Xbox Live Indie Aracde (still great, by the way).
Anyway. You know me and indie devs. I’m just a regular fangirl, droolin’ all over people makin’ moves and fulfillin’ dreams without corporate backing. I love you indie devs. Get it, girls.
I started this draft awhile ago, and originally the title was “I will buy a Wii U for Donkey Kong Tropical Freeze.” I am the ultimate sucker for anything Donkey Kong Country related. Have you guys played Donkey Kong Country Returns? Dat game! So good! I don’t know what the critics ended up saying about it, but it had so much charm and the jammin-est tunes since the original Donkey Kong Country, I don’t know how people have survived without playing it. And yeah, I’m being hyperbolic, but Donkey Kong Coutnry Tropical Freeze looks so good and a beloved video game company is doing so poorly . . . I just want to help somehow.
I’ve always been a Nintendo kid. My pedigree includes the NES, SNES, N64, Gameboy Color, Gameboy Advance, and the Wii. I’m a sucker for all Mario, Donkey Kong, and Zelda-themed games. I’m constantly on the fence about splurging and jumping into the portable Nintendo world again, just for a taste of some more Mario Kart, Zelda, and Super Mario Brothers. My frugality has won out so far, but with all of the headlines Nintendo has been making recently about a deeper and deeper plunge into the red . . . my heart breaks a little as I acknowledge my bank account is desperately incapable of helping even the amount of the price of a new console.
I used to think Nintendo was invincible. Even when the 360 and PS3 started eclipsing the Wii hardware, I thought “No way – Nintendo still has something novel here.” And even when the Playstation came out with the Move I thought “Too little too late, suckers.” When Microsoft came out with the Kinect, I thought, “Whoa. That’s pretty cool . . . but Nintendo will pick it back up shortly, they just need a few months.” Time passed, there were more and more reboots of the same IPs and still Nintendo stood in the shadowy plane of 720p behind it’s competition.
When they announced the Wii U, I thought there were some cool features (different functionality on the controller screen versus the main monitor, playing from the controller and being able to give up the TV on demand); unfortunately I knew deep down it would be up to developer buy-in to really launch Nintendo’s console over the moon. People were worried about release titles, but I sagely remembered that no consoles have good titles at launch, so who cared? Then, the hardware specs came out. All so disappointing. All so subpar. All so definitely not next-gen. Was Nintendo losing its touch?
Time has shown . . . that perhaps they have. I’m not saying I won’t still buy a Wii U at some point, but a Playstation 3 is definitely higher on my list, as are a lot of games. But where does that leave this title, and my favorite franchises? I don’t know, to be honest. It’s with a heavy heart and a hanging head that I doubtfully look at the Wii U price, and games available for it.
This is all very rambley and I know it. Grief is rambley. And of course this is all a little over-dramatic, a little tongue-in-cheek, but honestly at the end of it, I do feel anxious about Nintendo’s future, and how little they’re motivating me to help. I’m undecided if one classic title will be enough to make me pull out my wallet and jump to their aid.