Heeeyyy yooooouuu guuuuuys!
Shoutout to the Goonies fans.
Thank you thank you thank you thank you to everyone who liked the Facebook page, commented on my last post, and gave me some feedback about video content. I responded to Robyn’s comment explaining that I have some video content coming and I’d like it to get as much traction as possible, so maybe tinkering with it a bit to better address what you guys want to watch will help me in that. Also, all the Facebook Page Likes give me Facebook Insights (which is essentially Google Analytics for the Facebook page) which again, will maybe help me get some more readers, and gain some more traction.
Because so many of you graciously said you weren’t really participating in the giveaway, you just wanted to help me out, I made this a contest of two: Mikael and A4man. Drum roll please . . .
Out of the 50/50 chance (I flipped a coin; Mik was heads, Adam was tails) Mikael won! And because Bastion is cheaper than Portal 2 right now, Mik, you won Bastion! Also because I love supporting indie devs and it’s a stellar game (and soundtrack) and you should definitely see what it’s all about!
I’ll get in touch with Mikael and send him the game, but again, thanks to everyone who commented!
Inspired by this post about the music throughout the Mass Effect series, I started thinking about all of the excellent soundtracks that I’ve enjoyed while playing games. This is by no means an exhaustive list; please comment and share some of your favorite video game soundtracks too! I’d love to listen to more.
Mass Effect 3 – It was highlighted in the article I linked to above, but it does make my personal list of favorite soundtracks. The compilation overall takes you through a range of emotions, but there are some individual tracks that can take you from elation to heartbreak to resolve within a four minute space of time. Definitely worth a listen through, if you’re looking for a well-rounded, very orchestral driven experience. Not to mention, it makes you feel like whatever you’re doing within your cubicle is contributing to saving the galaxy!
Red Dead Redemption – The soundtrack of RDR made a huge chunk of the atmosphere of this game. When the genre “western” enters most people’s heads, they think of hackneyed banjo music with a clanky washboard accompaniment. How refreshing then that the music used to great the bring depth to the western theme in RDR wasn’t twangy or cliche at all. Some of these tracks are unnerving, most are energizing, and a few (particularly the song through the credits “Deadman’s Gun” by Ashtar Command) can bring you to tears. Although the songs with lyrics are closer to the end of the game, the three of them are my favorites on the album. Do yourself a favor, get lost in the old west by listening to this soundtrack.
Splice – You can read in the game title link that I’ve already highlighted this incredible soundtrack. Ethereal and stirring, it brings you along a ride you didn’t think possible with a protagonist-less puzzler. The movement that takes the audience on a journey is the incredible strength in every song on this soundtrack. You’ll be doing a disservice to yourself if you don’t check out this soundtrack (free to preview in its entirety on bandcamp).
Bastion – This . . . this soundtrack is perfection. I saved the best for last. I’ve heard this soundtrack be compared to the Firefly soundtrack, which I thought was fitting. It gives off a non-western (hemisphere) vibe, mixed with a few, very subtle western (cowboy) themes. A diverse range of instruments orchestrate every track, and the songs with vocalists are . . . haunting, but in the best most moving way possible. I realize all of these descriptions sound very hyperbolic, but seriously, this one . . . the money soundtrack, undoubtedly.
Like I said, there are lots of other game soundtracks I love (Catch-22, Braid, Super Meat Boy, Cave Story, Chrono Trigger, Donkey Kong, etc.) but these are really some of the cream of the crop. I’ll also take this chance to give a shoutout to a YouTube artist who does incredible acapella covers of video game songs. He hits some of the most popular jams (e.g. Guile’s Theme from Super Street Fighter 2) as well as a few more obscure hits that are just great songs (e.g. DuckTales’ Moon Theme). His username is Smooth McGroove and if you love raw talent recreating your favorite video game tracks, you have to go and subscribe!
Here’s the thing: I’d love to write about the great games I played at PAX, but I’m too busy implementing the awesome knowledge I got at PAX. For example, I’ve applied to about a billion jobs tonight. That may or may not be hyperbole. The point is, I didn’t review games like I was supposed to tonight because I’m trying to do what all the geniuses at PAX panels told me to do. Here’s what they told me, that I am now going to share with you all:
- First I went to the Destructoid panel on Friday morning. I had zero idea of what to expect, but things started off on the right foot when a Destructoid employee randomly handed me a Razer Taipan mouse. Sweet! I’m now an insta-fan. The biggest piece of advice I got was to post like crazy on sites internal blogging systems. For example, I blogged a lot on that IGN system when I was trying to get to E3, but apparently I shouldn’t have stopped. Sites that have internal bloggers like to hire from that pool. I didn’t get a chance to ask if they wanted original content or if it didn’t matter, but because I’ve already invested money and time into this blog, I’m going to double post from here to IGN to Destructoid to BitMob, to any other place I can find.
- I went to what was called the PC Gamer Mega Panel as well that had Notch, Dean Hall, Sean Vanaman, a guy I should know who is a big wig with that new XCOM game coming out, and another guy I should REALLY know because he was big time involved with Bastion at SuperGiant games. Man, ultimate fail with names right now. Anyway, it was mainly just fascinating to hear these guys talk about storytelling in video games (the subject of the panel), primarily because they had two true developer-created stories in The Walking Dead and Bastion, and XCOM to a certain extent, but then it was juxtaposed against the player-created worlds of DayZ and Minecraft. Just really incredible to listen to and contemplate. Put that in your brain basket and chew on it for awhile. Leave comments with awesome insights. One great insight in my notes that I wrote down was “Create real loss in games,” ala DayZ. Another post with more thoughts on this forthcoming.
- Friday night I got the best advice of my life from Chris Kohler, from Wired. I asked the panel if I should give up my writing job because it wasn’t in video games, or keep it because it was writing, and the advice didn’t exactly match my question. But one of the panelists mentioned that her fiance just happened to be a gaming journalist and I could talk to him afterwards, and of course I did that. So I got to ask him my question and he said “Well if you really don’t care where you end up, script writing or journalism [which I don’t] then you should just get into the industry by any means then work your way towards writing.” BOOM. DONE, CHRIS KOHLER. Finally a definite answer to something I’ve been puzzling over for months now. So, I’ve been applying to all kinds of jobs tonight. Mainly SEO, writing, and PR stuff, things that I think I would still enjoy doing if I were actually hired and have a minute amount of experience in, but man . . . very time consuming. Also, it should be noted that that is not an absolute direct quote from Chris Kohler. That was the gist of what he said to me, personally. I don’t want to get in trouble with Chris Kohler for a misquote or something. Chris Kohler.
Saturday’s panels were less helpful to me, but somethings that might help you:
- These are great tools to use to start actually making games with little to no programming knowledge: Construct 2, Game Salad, Game Maker, Unity. Even though the panelists of the “Breaking into the Industry” panel weren’t writers, many of them started making games on their own to then work their way into a company and to get where they wanted.
- The number one advice in the “How Not to Write a Game Review” panel was to be specific and to not use cliches. For example, don’t say something was good or bad, but make sure you mention specifics and if you reference a past game or different game in comparison, you gotta explain that to. THIS was the panel that I got Evan Lahti’s card from PCGamer.com. BOOM. Small victory.
Long. Lots of text. Nothing to funny or exciting. But I know the majority of anyone reading this blog post is someone who like me is blogging for fun and trying to get somewhere. So I thought maybe I could let you benefit from my experiences. To close, I’ll share the inspiring story from Niero Gonzalez, founder of Destructoid, that I hadn’t heard before.
He started a a gaming blog all on his own. He would get up early to schedule blog posts about gaming news throughout his day while he was at his day job, he would then sneak onto his blog to post and write during his day job, and then he would stay up late to write more content to auto-post the next day while he was at work. In his first year, he published 2,000 blog posts. And when he saw PAX was coming up, he called to see how he could get there with a media badge and they said all he had to do was show them his professional website. So with his minimal knowledge of web design, he made his site look as professional as he could, PAX bought it, and he got a media badge to go cover his first PAX. He posted mostly humor, and just about anything he could find in his first year, and that’s how he started his following.
It was kind of intimidating to hear that story, to be honest, but I also found it inspiring. He did it, guys. We can too. It’ll be really hard, but we can. I don’t think that’s naivete, I think it’s hope and hard work. My goal, for the record here, so I can be held accountable to strangers on the internet, is to make it to PAX with a difference badge next year, whether as an exhibitor because I helped write and develop a game or as a media representative because I’m writing for an outlet, or my own blog that I tricked them into thinking was real. I’m not sure how, at the moment, but next year I’m going to PAX as more than an attendee. And you can too!